Discoteca Básica: Gal Costa: Quais discos a fizeram musa da MPB?

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[{"selector":"#anim-2e7b922f-345a-4c85-bf96-9c700c51e9a3","keyframes":{"transform":["translate3d(0px, 30%, 0)","translate3d(0px, 0px, 0)"]},"delay":300,"direction":"normal","duration":1000,"easing":"cubic-bezier(0.23, 1, 0.32, 1)","fill":"both","iterations":1}] [{"selector":"#anim-0b82bec1-1106-4e19-9750-84660530d690","keyframes":{"opacity":[0,1]},"delay":400,"direction":"normal","duration":400,"easing":"linear","fill":"both","iterations":1}] Como uma das principais inspirações e representantes da efervescência cultural nacional, Gal Costa viu e ouviu muito mais do que é possível enumerar . Imagem: Thereza Eugenia Paes Por: Nicolle Cabral

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[{"selector":"#anim-404b36c0-c604-4617-87d4-0369e527c959","keyframes":{"transform":["translate3d(0px, 80px, 0)","translate3d(0px, 0px, 0)"]},"delay":0,"direction":"normal","duration":1300,"easing":"cubic-bezier(0.23, 1, 0.32, 1)","fill":"both"}] [{"selector":"#anim-a04bed11-0c0e-422f-b5b2-ccd4039ff9a0","keyframes":{"transform":["translate3d(0px, 100%, 0)","translate3d(0px, 0px, 0)"]},"delay":100,"direction":"normal","duration":1000,"easing":"cubic-bezier(0.23, 1, 0.32, 1)","fill":"both"}] [{"selector":"#anim-d70c4370-e32c-4c90-a100-b0dcf55ad054","keyframes":{"transform":["translate3d(0px, 80px, 0)","translate3d(0px, 0px, 0)"]},"delay":0,"direction":"normal","duration":1300,"easing":"cubic-bezier(0.23, 1, 0.32, 1)","fill":"both"}] [{"selector":"#anim-0967192e-be71-4479-b0f5-62e635dbfacd","keyframes":{"opacity":[0,1]},"delay":200,"direction":"normal","duration":800,"easing":"linear","fill":"both"}] [{"selector":"#anim-27406eaf-6bf6-4d3e-8848-f39a713c0528","keyframes":{"transform":["translate3d(0px, 30px, 0)","translate3d(0px, 0px, 0)"]},"delay":200,"direction":"normal","duration":1000,"easing":"cubic-bezier(0.23, 1, 0.32, 1)","fill":"both"}] Domingo (1967) “Produzido por Dori Caymmi, traz uma sonoridade pré-tropicalista, sem guitarras distorcidas ou grandes experimentos sonoros, mas que revigora de forma impressionante a cartilha da bossa e soa incrivelmente atual”. — Ariel Fagundes, coordenador de Redação e editor

[{"selector":"#anim-cf2dce7d-c295-45d4-9429-78f0f826de04","keyframes":{"transform":["translate3d(0px, 80px, 0)","translate3d(0px, 0px, 0)"]},"delay":0,"direction":"normal","duration":1300,"easing":"cubic-bezier(0.23, 1, 0.32, 1)","fill":"both"}] [{"selector":"#anim-23ad79c8-cf06-4dbd-8340-2fec4df1b0c1","keyframes":{"transform":["translate3d(0px, 100%, 0)","translate3d(0px, 0px, 0)"]},"delay":100,"direction":"normal","duration":1000,"easing":"cubic-bezier(0.23, 1, 0.32, 1)","fill":"both"}] [{"selector":"#anim-5db5d31e-6070-44b1-9ca8-ef06907d2550","keyframes":{"transform":["translate3d(0px, 80px, 0)","translate3d(0px, 0px, 0)"]},"delay":0,"direction":"normal","duration":1300,"easing":"cubic-bezier(0.23, 1, 0.32, 1)","fill":"both"}] [{"selector":"#anim-3b814336-bb98-4039-ae26-6a57373167f6","keyframes":{"opacity":[0,1]},"delay":200,"direction":"normal","duration":800,"easing":"linear","fill":"both"}] [{"selector":"#anim-4d90a0fc-c895-4e51-a37d-70a35e176d56","keyframes":{"transform":["translate3d(0px, 30px, 0)","translate3d(0px, 0px, 0)"]},"delay":200,"direction":"normal","duration":1000,"easing":"cubic-bezier(0.23, 1, 0.32, 1)","fill":"both"}] Legal (1970) “Arranjado por Jards Macalé, Lanny Gordin e Chiquinho de Moraes, ‘Legal’ deriva da Tropicália, mas traz uma atmosfera única, radicalmente ligada ao rock”. — Ariel Fagundes, coordenador de Redação e editor

[{"selector":"#anim-ffb1129a-572c-4c33-9cda-f48588e31803","keyframes":{"transform":["translate3d(0px, 80px, 0)","translate3d(0px, 0px, 0)"]},"delay":0,"direction":"normal","duration":1300,"easing":"cubic-bezier(0.23, 1, 0.32, 1)","fill":"both"}] [{"selector":"#anim-a177cb61-2f13-45f7-9c7f-f91a0c8a761e","keyframes":{"transform":["translate3d(0px, 100%, 0)","translate3d(0px, 0px, 0)"]},"delay":100,"direction":"normal","duration":1000,"easing":"cubic-bezier(0.23, 1, 0.32, 1)","fill":"both"}] [{"selector":"#anim-877c5bd4-29d8-4366-b77a-7606dc4278f0","keyframes":{"transform":["translate3d(0px, 80px, 0)","translate3d(0px, 0px, 0)"]},"delay":0,"direction":"normal","duration":1300,"easing":"cubic-bezier(0.23, 1, 0.32, 1)","fill":"both"}] [{"selector":"#anim-4de21af3-a1ff-4133-8dee-42647752a82d","keyframes":{"opacity":[0,1]},"delay":200,"direction":"normal","duration":800,"easing":"linear","fill":"both"}] [{"selector":"#anim-39183bbe-e098-4416-8338-e1f851114902","keyframes":{"transform":["translate3d(0px, 30px, 0)","translate3d(0px, 0px, 0)"]},"delay":200,"direction":"normal","duration":1000,"easing":"cubic-bezier(0.23, 1, 0.32, 1)","fill":"both"}] Índia (1973) “A partir daqui, a menina tropicalista abre passagem para o nascimento da diva. Ouça: ‘Passarinho’ e ‘Presente Cotidiano’. — Ariel Fagundes, coordenador de Redação e editor

[{"selector":"#anim-cf0196fc-94b6-46ff-bc18-602555313c6f","keyframes":{"transform":["translate3d(0px, 80px, 0)","translate3d(0px, 0px, 0)"]},"delay":0,"direction":"normal","duration":1300,"easing":"cubic-bezier(0.23, 1, 0.32, 1)","fill":"both"}] [{"selector":"#anim-d75fe878-d11b-45f7-9b09-d90639d24b82","keyframes":{"transform":["translate3d(0px, 100%, 0)","translate3d(0px, 0px, 0)"]},"delay":100,"direction":"normal","duration":1000,"easing":"cubic-bezier(0.23, 1, 0.32, 1)","fill":"both"}] [{"selector":"#anim-1057908d-fba1-4c4c-bb9f-4712b431afbf","keyframes":{"transform":["translate3d(0px, 80px, 0)","translate3d(0px, 0px, 0)"]},"delay":0,"direction":"normal","duration":1300,"easing":"cubic-bezier(0.23, 1, 0.32, 1)","fill":"both"}] [{"selector":"#anim-c7f837ab-3ee1-4a3f-8c26-43a4052e3125","keyframes":{"opacity":[0,1]},"delay":200,"direction":"normal","duration":800,"easing":"linear","fill":"both"}] [{"selector":"#anim-31bdc4bd-90a2-4591-bc28-9e48fe7ee8cb","keyframes":{"transform":["translate3d(0px, 30px, 0)","translate3d(0px, 0px, 0)"]},"delay":200,"direction":"normal","duration":1000,"easing":"cubic-bezier(0.23, 1, 0.32, 1)","fill":"both"}] Caras e Bocas (1977) “Somam-se o soul e a disco music, mas nunca como uma fórmula rígida, sempre como inspirações cruzadas à brasilidade”. — Ariel Fagundes, coordenador de Redação e editor

[{"selector":"#anim-4d278ddb-4c9b-48f6-b8c5-6a5c3b972416","keyframes":{"transform":["translate3d(-138.09523%, 0px, 0)","translate3d(0px, 0px, 0)"]},"delay":0,"duration":600,"easing":"cubic-bezier(0.2, 0.6, 0.0, 1)","fill":"both"}] Quer ler mais conteúdos como esse?Assine a Noize Record Club!